Soft Skull Press always presents a unique twist with its biographies or memoirs. It’s never just a straightforward history of the titular individual, but rather an analysis of the environment which produced the subject. In the case of W. Scott Poole‘s Vampira: Dark Goddess of Horror, the author uses the ’50s horror host as an entry point to discussing the era’s social mores and how the woman born Maila Nurmi challenged the status quo.
The author has a wealth of information on which to draw. Sadly, little of it is regarding Vampira herself. There’s minimal evidence of her television program, and what remains of her work is, essentially, bit parts in a few films. The thing for which she garnered her initial acclaim exists only anecdotally, leading to a great amount of speculation on Poole’s part.