"I’m hanging out in the basement of a split-level home near Lawrence High School, talking about the first year of the Sugar Britches’ existence with Zeigenbein, guitarist Brianne Grimmer, bassist Kahlen Mitchell and drummer Kimberly Simonetti. Mandolin player Monica Greenwood is absent, having recently given birth to her first child, whom the band has dubbed “Baby Britch.” This nearly starts Zeigenbein singing the Ween song of a similar name."Read the feature on the Sugar Britches in its entirety at the Pitch, published on 6/8/16
Night one of the 2015 Lawrence Field Day Fest was a bit lighter than I would've liked, but plans to see more bands were sidetracked by attending a screening of the documentary, The Damned: Don't You Wish That We Were Dead, followed by a performance from Mike Watt and the Missing Men. I'd intended to skip Watt's performance, but then he played a dozen Clash songs and the Minutemen's "Bob Dylan Wrote Protest Songs," and next thing you know, I'm running terribly behind. That said, I did get to see three great bands, and I'm happy I was able to see them. I started the night with newly-minted Lawrence quartet, the Vedettes. Equal parts blues, mod, and soul, the Vedettes are absolutely devastating. They remind me of late '60s / early '70s rock 'n' roll, but specifically the post-Blue Cheer stuff that's being referred to these days as heavy psych or bonehead crushers. The bass on the Vedettes' songs emphasizes the groove, and it's just dirty. Something about all of this makes me want to get in a car and drive very, very fast -- preferably to get somewhere I might have enthusiastic sex. Like I said: DIRTY. [gallery ids="18466,18467,18468"] The Ovaries-eez are the absolute exact opposite. They're quiet, beautiful folk, with harmonies for days. Just the most dreamy sort of music, very well-suited for a hot, muggy summer weeknight. The group's vocal dynamics are the highlight, here, demonstrating a kind of singing that hearkens all the way back to ... forever ago, making the Ovaries-eez a band completely timeless. [gallery ids="18460,18461,18462"] The Sugar Britches (or at least 3/4 of them) complimented the Ovaries-eez nicely. They were more upbeat, certainly more profane, but continued the harmonies. Their bluegrass stylings have been getting them gigs all over town lately, and it's easy to see why: witty, catchy numbers loaded with prfanity will always go down nicely in these parts. They're a little bigger than the Ovaries-eez, in terms of sound, but the paring still worked out wonderfully. It's great to see two bands of women making music, playing back-to-back. Empowering and entertaining pairings like this make Field Day Fest more than another bunch of angry dude bands playing one after the other, and it's so appreciated. [gallery ids="18463,18465,18464"] More information about Lawrence Field Day Fest can be found here.