Adventures / Run Forever, “Split” EP

cover - adventures run forever splitPairing Adventures with Run Forever is such a ridiculously perfect idea, it's basically one of those "shut up and take my money!" releases. Adventures' dreamy indie pop has a certain angular melodicism to it that hints at part of the band's involvement with Code Orange Kids. It especially comes out in the feedback-drenched ends to their songs. Run Forever, however, works it a little differently. Rather than fading out their songs, they opt for epic intros, leading into harmonies suited perfectly for lifted hands and heartfelt sing-alongs. The bands compliment one another, and they're both on the rise, so why wouldn't the two acts come together? While both acts do what they do well, this split single works because they're both best in small doses. Run Forever's "Lost the Feeling" comes in with punchy guitars, chugs through, and is gone in under two minutes. It rocks an early Alkaline Trio vibe, kind of reminding me "I Lied My Face Off" in terms of lyrical delivery. The rest of the tracks are decent and well-executed, but much like Run Forever's last LP, Settling, this split EP is a nice listen through, but not something I think I'll find myself returning to on any sort of regular basis. The split is available on 7-inch vinyl and digital download from the No Sleep Records store, and the record comes out on January 28. Pressing information is as follows: 20 Test Pressing (Black) 125 Coffee w/ Creamer (2014 Subscription) 300 Blue 300 Transparent Orange 500 Half Red/Half Light Blue You can stream a track from each artists at Alternative Press.

Run, Forever, “Settling” LP

cover - run forever settlingThe first long-player from Run, Forever in a year and a half -- and the first recordings from the band in over a year -- Settling is an album that's been long-awaited. Now that it's out on Tiny Engines, what do we have? Run, Forever's sound on Settling is the natural successor to the late '90s / early '00s acts who filtered alternative rock through a pop filter (i.e., the entire Drive Thru records roster). On this LP, Run, Forever flip the equation, filtering alterna-pop through an indie rock filter. The songs on this album are catchy and heartfelt, but messy and dark. It's a lot like Titus Andronicus, but much like that band, I enjoy Settling as a fleeting thing. It's an enjoyable enough record, but I don't see myself returning to it all that album. It's basically good, but uncompelling. The one exception is the guitar tone in the main riff of album opener, "Sun Bruised." Ohmyfuckinggod. It's sickeningly killer. It's song that makes girls shake their hips and swing their hair, and anyone with an ounce of soul in their bones will bop up and down, then flail madly doing air guitar when that riff comes up. The physical release is something with which I've almost spent more time than the music -- it's a pressing of 500, with 100 on opaque green, 125 on opaque pink, 125 on opaque blue, and 150 on white with black smoke. I got the smoke and it looks a little dirty. Not quite as good as the clear smoke variants one usually sees, but it's mitigated by the matte jacket, which has a glossy logo with matte imagery on top of that, then glossy on top of that. Pretty fucking choice. It's available now from the Tiny Engines store. Settling by Run Forever

Run, Forever guitarist Anthony Huebel on the trio’s new album (also, cats)

RunForever_NewPhoto1_hi res Pittsburgh punk trio Run, Forever recently released their second LP, Settling, via Tiny Engines. It's been over a year since the band last released any new music, and they're celebrating the new album by setting out on a tour with labelmates State Lines. The tour hits Kansas City's Art Closet Studios for a show with Emo Side Project on Sunday, January 13. Singer and guitarist Anthony Heubel spoke with us via e-mail about the new record, touring, and cats. Run, Forever's sound swings back and forth between anthemic punk anRunForever_NewPhoto2_hi-resd acoustic folk. What's the appeal for a punk act to play acoustic? For me, it's really fun to write something so minimal and simple. I think that sometimes it's even more challenging than writing a song that would be played by a full band. Its a lot easier to notice mistakes when it's just guitar and vocals but I also think that's what gives those kinds of songs their character. I write all of our songs on acoustic to begin with and one of them always ends up just feeling better that way. I ask, because it seems that number of punk bands which go from electric to acoustic and back is growing. Does it have to do with the roots of protest music lying in the folk genre? Acoustic songs can definitely feel more intimate. They can be a good way to kind of get to the point of something right from the start. Stripped down without flashy instrumentation it's all about the lyrics, so who ever's listening is going to be focused on what you have to say. Your 2011 split with the Wild featured a 'zine that was produced by both bands, and tied its content into the material on the 7-inch. Do you have any plans to revisit that idea of text plus music in the future? Cassie is still very active in writing her zine "Cat Power". We don't have any plans right now to release any more text with music but I'm always open to that idea. Our friends in Rubrics released a book not too long ago, I would love to do something like that but I think I question my writing ability too much. Especially if it's something political, I feel like I always sound like a little kid. cover - run foorever settlingYou've obviously been recording and releasing music since your first LP, The Devil, The Death, and Me, but it's been over a year since your last 7-inch. What was the delay on releasing Settling? I guess we just didn't want to rush things. We put out a good bit of music pretty fast and with "Settling" we really wanted it's release to be anticipated instead of something that just happened. The record also loosely documents our recent move at the time to a town just outside of Pittsburgh called Braddock and up until the record was done being recorded we were still writing bits and pieces of it. The song "Braddock Beach" in particular was the last song to be finished and recorded. Settling by Run Forever Run, Forever's tours take the band to a lot of house shows and otherwise "nontraditional" venues. Are there upsides or downsides to playing galleries, basements, and the like? Absolutely, each one can be equally great and frustrating in their own way. Basements and houses are always really fun because they're intimate and close up and you feel like you're in a Sum 41 music video. And while most of them are awesome sometimes they're just parties and no one could really care less about what you're playing as long as they can slosh around to it, those shows are bummers. A really great gallery in Pittsburgh called Most Wanted Fine Arts used to have shows and it was one of my favorite places to play. Galleries are cool because they're kind of in the middle between venues and houses/basements. They don't have a big stage and fancy sound system but they're also not as cramped and hard to access as someones basement. What's with your love of cats? I mean, I understand completely, as they're adorable and loveable, but you make mention of how much you're into them on your Facebook, in your merch store. They're just great animals. Very spiritual, lots of good energy. Pop over to the Tiny Engines site for more tour dates, as well as the ability to pick up the new releases from Run, Forever and State Lines.

Prozac Typical Dosages

cover-wild-run-forever Prozac Typical Dosages, The Wild / Run, Forever
(Solidarity Recordings)

With this release, I'm not sure what I'm happier about: the new bands to whom I've been introduced, or the fact that the 7-inch comes with a 'zine. They're both so exciting. Seriously, though, I am pretty damn jazzed about the Wild and Run, Forever. Prozac Typical Dosages us, Both bands are pretty raucous, yet heartfelt, with the Wild leaning a little closer to the folk-punk end of the spectrum, and Run, Forever going a bit more towards the anthemic. Think of the Wild as Andrew Jackson Jihad and Run, Forever as Against Me, Prozac Typical Dosages usa. They're both on the same wavelength, with the primary being a little more rooted in the acoustic and intimate than the latter, Prozac Typical Dosages.

The Wild's first track is a quiet, introspective number called "Street Names." It's quiet, but poweful, speaking as it does about struggling against routine, and trying to make a difference. 10mg Prozac Typical Dosages, It ties in perfectly with Dianna's essay regarding the need for folks in the punk scene to speak out when they hear someone say something homophobic/racist/insensitive.

Run, Forever has much the same connectivity between their "Young Pioneers" and the brief essay about ageism, wherein you're barred from certain venues, simply because you're not of age, even if you don't drink. It's the idea that you can make what you want anywhere, 250mg Prozac Typical Dosages, be it a parking lot or wherever, and from there, you can take on the world.

What's especially wonderful is that both songs by both bands have this "we can do it together!" sense of cooperation and collaboration about them that lends a distinct air of positivity to this split. Upon repeated listens, Prozac Typical Dosages craiglist, the mood only brightens further, with this 7-inch rapidly turning into something that can wipe away any frown, and replace it with fist-pumping optimisim.

You can download the split for free from If You Make It, while you're waiting for the vinyl you ordered from Solidarity to show up in the mail.

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