Vinyl Review: Various Artists — Closer To The Grave (15 Years Of Tor Johnson)

Vinyl Review: Various Artists — Closer To The Grave (15 Years Of Tor Johnson)

Five years ago, Tor Johnson Records celebrated their 10th anniversary with a 7-inch compilation, featuring songs from Saint Jude, Now Denial, Pretty Faces, and A Fine Boat, That Coffin. It came housed in a handmade, screen-printed jacket made from recycled LP sleeves, and included a download code for more than twice as many digital bonus tracks, featuring the likes of Weak Teeth and Jesuscentric. It was a cool reflection on how the label had evolved over its first decade.

Source: modern-vinyl.com/2017/08/25/vinyl-review-various-artists-closer-to-the-grave-15-years-of-tor-johnson/

Vinyl Review: Recht Herzlich — Hab Mut Zu Deinen Lüsten

Vinyl Review: Recht Herzlich -- Hab Mut Zu Deinen Lüsten

Hab Mut Zu Deinen Lüsten is an album of which I’d never heard before Jay at Private Records announced it, but after five minutes poking around on YouTube, I was chomping at the bit for it to arrive in the mail. This is definitely a product of the early ‘80s — fans of the Human League, et al, will find a lot to like in Recht Herzlich’s synth work.

Source: modern-vinyl.com/2017/08/08/vinyl-review-recht-herzlich-hab-mut-zu-deinen-lusten/

Vinyl Review: Echo and the Bunnymen — It’s All Live Now

Vinyl Review: Echo and the Bunnymen -- It’s All Live Now

From fan-vote reissue label Run Out Groove comes It’s All Live Now, a compilation of Echo and the Bunnymen live tracks recorded in the mid-’80s. Beating out a Solomon Burke best-of and a repress of Secret Machines’ Now Here is Nowhere, we get eight covers and two early originals from the Liverpool post-punk act.

Source: modern-vinyl.com/2017/08/07/vinyl-review-echo-and-the-bunnymen-its-all-live-now/

Review of The Grisly Hand’s self-titled at Modern Vinyl

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A double album can be an odd duck, but Kansas City’s The Grisly Hand may have unlocked its secrets. On the surface, the idea of recording 19 songs, putting them out as two separate compact discs (a year apart), and then re-sequencing them as a double vinyl release (now self-titled) sounds overly-complicated, and maybe it is. However, while the two albums which comprise The Grisly Hand’s double LP — last year’s Flesh & Gold, and this year’s Hearts & Stars — are both excellent records on their own, it’s when the two are combined that this music really takes shape.
Read the full review at Modern Vinyl. Published 1/23/17

Recommending Nikki Lane’s “Jackpot” at Modern Vinyl

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For every discussion about how Sturgill Simpson and Chris Stapleton are bringing energy and fervor back to country music, while making it “real” again, I can’t help but feel like Nikki Lane is getting shunted to the side. She’s been kicking out albums since her 2011 debut, Walk of Shame, a full three years prior to Simpson’s debut. The title track’s liberated, feminist embrace of the same topics Simpson would get praise for on Metamodern Sounds in Country Music‘s “Life of Sin” three years later should give Lane the same acclaim as her male peers, but for some reason, she’s been quietly relegated to the background when discussion of taking back Nashville comes around.
Read the full recommendation at Modern Vinyl. Published 1/23/17

Review of Eve 6’s self-titled at Modern Vinyl

eve 6 cover Eve 6’s self-titled debut is nearly 20 years old, and I only just listened to it all the way through. It’s weird when an album as omnipresent as this finally makes its way to vinyl, because it’s not like you can’t easily snag a copy of the compact disc in any record store dollar bin. Despite this being a platinum record, it’s the sort of thing which dominated the ‘90s alt-rock scene: an album with a big, inescapable single that led to a sophomore album which was more of the same. Read the full review at Modern Vinyl. Published 1/19/17

Review of Exterminators’ ‘Product of America’ at Modern Vinyl

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A band returning to record material years after the fact isn’t unheard of: the Sloths put out an album on Burger, 50 years after recording their only single, “Makin’ Love,” in 1965, and it’s absolutely fantastic. But for a band to return 40 years later to the material and seemingly be angrier than the majority of most young punks? It’s positively astonishing.
Read the full review at Modern Vinyl. Published 1/23/17