Well Made’s Brandon Knowlden on their Visible Vinyl displays
For every discussion about how Sturgill Simpson and Chris Stapleton are bringing energy and fervor back to country music, while making it “real” again, I can’t help but feel like Nikki Lane is getting shunted to the side. She’s been kicking out albums since her 2011 debut, Walk of Shame, a full three years prior to Simpson’s debut. The title track’s liberated, feminist embrace of the same topics Simpson would get praise for on Metamodern Sounds in Country Music‘s “Life of Sin” three years later should give Lane the same acclaim as her male peers, but for some reason, she’s been quietly relegated to the background when discussion of taking back Nashville comes around.
Read the full recommendation at Modern Vinyl
. Published 1/23/17
Eve 6’s self-titled debut is nearly 20 years old, and I only just listened to it all the way through. It’s weird when an album as omnipresent as this finally makes its way to vinyl, because it’s not like you can’t easily snag a copy of the compact disc in any record store dollar bin. Despite this being a platinum record, it’s the sort of thing which dominated the ‘90s alt-rock scene: an album with a big, inescapable single that led to a sophomore album which was more of the same.
Read the full review at Modern Vinyl
. Published 1/19/17