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max-decharne
Author Max Décharné Fda Approve Acomplia, 's new book on the history of rockabilly, A Rocket In My Pocket, was an instant favorite here at Rock Star Journalist headquarters. The book's take on the rock 'n' roll genre precursor focuses just as much on the obscure gents releasing barely-heard singles on local labels as it does the big hits, making for an engrossing and informative read. So, it ges without saying we were thrilled beyond belief when offered an opportunity to interview the man. He was kind enough to take some time to answer our questions regarding his book and career via e-mail.

book-cover-rocket-in-my-pocketWere there are any bands you regret omitting from the book?

Good question. Rockabilly is such a huge subject, you could write 50 books and not mention everyone, Fda Approve Acomplia. What I wanted to do was write a book about where the music came from, how it sounded, and the impact it made in the 1950s. This is a book about the music, rather than any one act, although there’s no getting around the huge impact of the five Elvis Sun singles – he was the one everyone wanted to be, pure and simple. Fda Approve Acomplia overseas, I was mostly trying to write a book telling the story of how rockabilly exploded across the south between 1954 and 1956, when there were literally thousands of performers making records in that style, most of whom never became household names. It’s incredible how much great music was made in such a short space of time. Fda Approve Acomplia, After that, the big companies moved it, watered it down and tried to make it safe, although of course it didn’t quite work out like that.

In particular, I wonder as to why so many of the more recent psychobilly acts were left out?

You could write an entire book about psychobilly. This is 99% a book about rockabilly in the 1950s. I trace things through the next few decades towards the end, but you’d need thousands of pages to cover everyone who’s been inspired by rockabilly in recent years. I love the Cramps, and I played shows with them, but they only get a brief mention. I’ve played in several bands with guys from The Stingrays, but they’re not even in the book, Fda Approve Acomplia. It’s not a comment about them – it’s just not a book about psychobilly.

Do you have a preference for a certain sound of rockabilly. The more country, Fda Approve Acomplia uk, rocking, or hiccupy styles, for instance?

For me, it’s the rootsy, back-in-the-hills sound – hillbilly boppin’, all the way. I’m a drummer, but most of my favourite rockabilly tracks don’t have drums on them. Fda Approve Acomplia, As long as you’ve got a slappin’ bass, I don’t think you need them. Charlie Feathers will always be the godfather, as far as I’m concerned, although you also can’t beat the Rock’n’Roll trio howling their way through Train kept A Rollin’... And yeah, I’m a sucker for a decent hiccup... 10mg Fda Approve Acomplia, How did your playing in Gallon Drunk and the Flaming Stars influence how you approached the book?

Didn’t really affect it. It’s more the other way around – I’ve been into rockabilly since the early 1970s, which probably explains why I wound up in bands like Gallon Drunk and the Flaming Stars in the first place. Neither of those are rockabilly bands, but both of them have drawn a little bit on that rockabilly spirit, and everyone in each band certainly loved listening to rockabilly at home, Fda Approve Acomplia.

Has the book allowed you to meet any artists you'd not yet spoken with?

Writing it certainly gave me the chance to talk to people like Wanda Jackson and Sonny Burgess. I’d shaken Sonny’s hand back in about 1986 after a gig when he signed my original Sun 45 of We Wanna Boogie, but it was very good to be able to talk to him for a decent stretch of time about his days doing things like gigging with Elvis in 1955. A real gentleman.

max-decharne-readingWhat was the writing process like. The sheer number of artists you cover must have required grand amounts of research. Fda Approve Acomplia, Writing the book was an attempt to get the story of 1950s rockabilly into one book, which is an impossible task, but it was a lot of fun trying, and even though I’d been listening to this music for forty years now, I still discovered tracks and artists I’d never heard of. I still can’t believe quite how much phenomenally good music was produced by the rockabilly musicians of the southern states in such a few short years back in the late 1950s. I did a lot of research, certainly, but I was building on the fact that I’d been buying these kinds of records for most of my life. It’s a huge subject – the more you dig into it, the more you find.

You've previously written books on film noir and obscure slang, 40mg Fda Approve Acomplia, and now, rockabilly. Do you have plans for further excursions into '50s culture?

I’m sure I will, Fda Approve Acomplia. There’s something about that immediate post-war era when everything seemed so fresh - like it was all up for grabs, and all kinds of wild people came out of the woodwork and managed to get their message across, whether in records, books or films. It’s cliché to say so, but everything these days has a habit of seeming pre-packaged, safe, air-brushed and boring. I like stuff with style, but also with a few rough edges still on it. These days, Fda Approve Acomplia india, by the time they’ve finished photoshopping, auto-tuning, polishing, overdubbing and generally burying any spark of originality, what you’re left with doesn’t really interest me. All of which is another way of saying, if Jerry Lee or Gene Vincent came along these days, I doubt very much they’d be allowed to have a mass-market international career like they did in the 50s...

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book-cover-rocket-in-my-pocketMax Decharne's new history of rockabilly for Serpent's Tail Flagyl For Dogs, , A Rocket In My Pocket: The Hipster's Guide to Rockabilly, takes a little bit to get going. It's understandable - there's a lot of history to set up, and a lot of characters to introduce, be they Sun Records owner Sam Phllips, cover boy Elvis Presley, or the queen of rockabilly, Wanda Jackson. Basically, Decharne takes several dozen rockabilly musicians, as well as various labels that run the gamut from international to recording in someone's garage, and gives them to the reader in a flurry of names.

After several chapters of set-up, both in terms of individuals, Flagyl For Dogs australia, groups, and history, A Rocket In My Pocket really takes off. Once the cast of characters is set up, they're then put in motion in a variety of settings. The chapters that form the latter half of the book cover the various media outlets available to rockabilly musicians once they'd put their music to wax (and in some cases, beforehand), Flagyl For Dogs. Decharne traces the venues for performance in terms of gradually increasing visibility. He starts with the gin mills and honky-tonks where the bands would hone their live shows, and then moves up to radio and television.

In terms of television, Decharne makes an excellent point in that, while Elvis' television performances (especially his "shot from the waist up" appearance on Ed Sullivan) might be the stuff of legend, 50mg Flagyl For Dogs, he was hardly the first rock 'n' roller to appear on television, having been preceded by the likes of Bill Haley & His Comets and Bo Diddley.

Decharne puts enormous emphasis on the early rockabilly artists, and he gives equal coverage to everyone. Flagyl For Dogs, Just because he mentions Charlie Feathers and Elvis Presley doesn't mean that lesser-knowns like Glen Glenn and the titular Jimmy Lloyd get ignored. The unfortunate aspect of his focus on the progenitors of the genre does mean that a lot of the revival stuff gets left by the wayside. In the chapter on rockabilly on the silver screen, "Hollywood Be Thy Name," all of the classic '50s and '60s films like The Girl Can't Help It see mention, as well as stinkers like Rockabilly Baby. However, because Decharne focuses so heavily on the early days, he misses out on the opportunity to pontificate on such latter releases as Wild Guitar, to say nothing of Troma-esque schlock horror like Rockabilly Vampire and Die You Zombie Bastards!, 250mg Flagyl For Dogs.

The book's final chapters - "Back From the Dead, Bigger Than Ever" and "Stray Cats, Polecats, and Born-Again Hepcats" do focus on the latter-era rockabilly revival in the '70s and '80s, and those chapters could easily be expanded to fill a special issue of Mojo. It's brilliant to see the love given these artists twenty years past their prime, Flagyl For Dogs. Granted, this is further coverage of the same artists who get a lot of coverage in the earlier chapters, like Elvis and Wanda Jackson. It would've been nice and rounded out the book a bit more to cover more than just the big names of the '80s rockabilly revival. The Cramps, Polecats, Flagyl For Dogs paypal, Stray Cats, and Tav Falco's Panther Burns are the only artists of that era to see any notable mention. Further coverage of the psychobilly scene (the Meteors, Guana Batz, et al) at the time would've provided a quality counterpoint the the earlier artists. Flagyl For Dogs, These are all minor quibble, in the grand scheme of things. I'm a rockabilly head, myself, so what I want in a book on the subject is certainly more specific than the casual reader coming to this subject. It's exhaustive, in either case. Were Decharne to fill in all the details I wanted, the already stout volume would become a veritable tome. It's a breeze to go through, Flagyl For Dogs india, while still managing to be very instructive, informative, and entertaining.

If you want to explore the music featured in the book in an easy way, Ace Records has put out a companion CD curated by the author.

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