Big Eyes’ Kate Eldridge on their new album, “Almost Famous”

big eyes band header We've been big backers of Big Eyes for a good long while, going back to their debut 7-inch on Evil Weevil. Since they first released that collection of demos, the garage-pop trio has toured the country, released a slew of amazing split releases, and are now getting ready to release their second full-length LP on Grave Mistake Records, entitled Almost Famous. Frontwoman and guitarist Kate Eldridge spoke with us via e-mail about the new LP, touring, and more. BigEyes_AlmostFamous_4pOutThe new album, Almost Famous, is different from your debut, Hard Life, in that it's all previously-unreleased material, aside from "Half the Time." Was Hard Life re-recorded versions of prior singles for a reason? Hard Life had two songs from a limited edition single ("Why Can't I" and "Your Lies"), which was released as a teaser for the LP. The album also featured one song off our demo, "Since You Left." Almost Famous has a song from the demo as well, "You Aint The Only One Who's Lonely" as well as 2 songs from 2 different splits we did earlier this year, "Losing Touch" off our split with Mean Jeans (on Dirtnap Records) and "Half the Time" off our split with Audacity (on Volar Records). Before you released Almost Famous, you re-released your first 7-inch, which was a demo. Was the idea to show people how far you've come in such a short amount of time? We didn't really think it out too much, that record just hasn't been available in over a year and we finally got around to getting it repressed. Thanks for the compliment though, I never thought about it like that. :) BigEyes_Posed02What jumped out to me on first listen to Almost Famous was that your guitar tone seemed to be much thicker than before. Is this from a change in production, or equipment? Both. About a year ago I started using an SG as my main guitar instead of my Mustang. I also use a Marshall 4x12 cab now instead of the Fender 2x12 I used to use. We also put more effort and time into recording Almost Famous. I'm way happier with how the new LP came out. The whole record, really, just seems to be more rock 'n' roll than garage rock. It's like you took a lot musically from the likes of the New York Dolls, giving everything some heft in the low end. How do you get to a stomper like "The Sun Still Shines"? It's hard for me to pinpoint why or how my writing style changes. I've been listening to a ton of Blue Oyster Cult, Kiss and Alice Cooper in the last year or so, so I feel like the new LP has more of a hard rock edge than Hard Life. That yelped "LOSING TOUCH!" early on in "Losing Touch" is pretty emotional. Where does that emotional explosion come from? I don't want to get too in depth about it, but that song isn't about a romantic relationship like most of my other songs are. That song is about paranoia and mental illness. What prompted the move from East to West Coast (well, so much as Seattle can be considered West Coast)? I spent my whole life in NY and wanted to get a change of scenery. I first visited Seattle in 2009 and was always drawn to it, so I made the move. It's much easier to have a full time band out here. New York is too expensive. Big Eyes is now being feted by the likes of Pitchfork and Brooklyn Vegan. Are you inclined to dismiss so-called hipster websites, or are you glad to have the band out there in front of as many folks as possible? The more people that get to hear us, the better! You never know who is going to like your band until you put it out there for them. big eyes tourJudging by the photos on Facebook and Instagram, Big Eyes has a lot of fun on the road. It looks like the band takes advantage of touring to get out and do things, rather than living in a van. Is that the case, or are we just seeing the highlights? Big Eyes, big fun! Ha ha, we love to tour. It's not fun all the time, but definitely a lot of the time. The past tour we went on with Criminal Code was one of the funnest tours I've ever been on in my life. Great company, very stress free. When we have enough time we like to get out of the van and go swimming, check out parks, mountains, that kind of stuff. In September we went to Disneyland. Fucking ruled. While you just did a big tour with Audacity that crossed the country, then a short hop down the West Coast with Criminal Code, it seems like you've got most of your upcoming shows in Seattle. Why no big summer tour to promote the record? We are touring for 4 weeks in June, to the east coast. The dates will be announced soon. Almost Famous comes out May 14, via Grave Mistake. More information about Big Eyes can be found at their website and their Facebook.

Big Eyes, “Demo 2010” 7-inch (repress)

cover - big eyes demo repressGrave Mistake Records recently reissued Big Eyes' demo 7-inch from 2010 as part of a co-release with Evil Weevil, who originally put it out. When Alex at Grave Mistake told me that it'd been recut and repressed at a different plant, I figured this was a good time to sit down and compare the two releases. Demo 2010 (as I suppose the record is now known) has new art, new labels, and it's also cut at 45 versus 33. Everything's different, at least in terms of the physical appearance, but how does it sound? I'm one of those people who's not going to buy a record I already own just because it's got a new cover. Is it really worth getting a copy of this repress if you own the original? I'd say yes. "I'd Prefer to Be Alone" is far cleaner -- the guitars come through far better, and aren't overwhelmed by the bass as they were on the original. "Since You Left" is less a fuzzbucket bunch of instrumentation. On the original recording, it's just a wash of noise that it's only the occasional guitar lick cutting through to remind you there are seperate instruments, whereas on the repress, the various components are individually distinct, without losing that dirty aura of the garage. Seriously, you'll hear the opening to "You Ain't the Only One," and the guitar tone will knock you on your ass. It's astonishingly vibrant, compared to the muddiness of the Evil Weevil press. This is a garage pop record now, as opposed to a poppy garage record. If you slept on getting the original press -- or, really, even if you didn't -- you need this repress. You can grab in the Grave Mistake webstore.

Is Cialis Safe For Women

Is Cialis Safe For Women, Before I step away from the computer for a glorious three days of over-indulging in sun, booze, and fire-cooked meats, I wanted to share some free tunes that've found their way onto the Internet over the past few days. There's some good stuff for you to play while in the car, at the beach, or next to the grill.

loseyerdamnmindFirst, we've got a bunch of new stuff from Evil Weevil. The record label's got previews of six upcoming releases and artists, 500mg Is Cialis Safe For Women, including perennial Rock Star Journalist faves the Hussy.

Although not a new track, this number from Cement Tomb Mind Control ought to further convince you to buy the LP, as well as whet your appetite for their upcoming single (singles, actually - they've got a couple coming out on Slovenly Records' imprint Black Gladiator later this year, Is Cialis Safe For Women canada, as well). More info about those releases, including tentative dates, is at the Evil Weevil blog, Is Cialis Safe For Women.

Our second freebie is Early Winters' cover of that Independence Day standby, "Fourth of July." Originally by X, this song always captures the fun and intense emotional outpourings that tend to come with the holiday, and Early Winters manage do X proud with their cover. The song's pretty boss, and the organ really bursts out of the speakers, Is Cialis Safe For Women japan.

MP3: Early Winters, "Fourth of July"

mixtapes-tape-stackLastly, we've got the rap EP Ohio pop-punkers Mixtapes dropped overnight, Wooky Stax. Seriously. It's better than Big D & the Kids Tables' Porch Life Is Cialis Safe For Women, , mainly because it's short. Is Cialis Safe For Women india, If you listen to a lot of Top 40 radio, you're going to get the joke.

Honestly, though, it's pretty decent hip-hop pop, although the constant wash of AutoTune makes it a little annoying. Maura'd do well to see if she could get work singing the hooks for rap tunes, 20mg Is Cialis Safe For Women, though. She sounds fucking boss on this.

Download Mixtapes' Wooky Stax. (left click, Mediafire).

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Amoxicillin Allergic Reaction

cover-big-eyes-demoBig Eyes
(Evil Weevil)

From the opening sounds of Big Eyes Amoxicillin Allergic Reaction, ' debut 7-inch, you know they grew up on classic rock. The band's very name hearkens back to one of Cheap Trick's best songs, and the record has that warm, 200mg Amoxicillin Allergic Reaction, big sound associated with great '70s rock albums. The opening track, "Prefer to Be Left Alone" does the seemingly impossible task of reconciling arena rock with classic punk. Really: the short, Amoxicillin Allergic Reaction uk, choppy chords meld wonderfully with epic riffs to give Big Eye an aesthetic that could easily fit in a basement show, or blasting into an arena. Amoxicillin Allergic Reaction australia, The high points in these four songs are big guitars, accompanied by a crisp and clear voice from lead singer Kate Eldridge (formerly of Cheeky). The low point, Amoxicillin Allergic Reaction. I wish the drums weren't hidden so much on this record - I get the feeling that C.J. Frederick's work on the skins is heavy enough to reach the cheap seats, 20mg Amoxicillin Allergic Reaction, but the recording's a little too poorly mixed to tell (granted, it does sound pretty fantastic for a demo). 1000mg Amoxicillin Allergic Reaction, We'll know soon enough, as the band has a single due out from Don Giovanni later this month, with a full-length coming in February.


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