Author and academic Rupert Till attempts to use his study Pop Cult Flagyl Alcohol Housewives, as a way of looking at various facets of the musical experience in terms of religion. The book's subtitle, "Religion and Popular Music" is slightly misleading, in that the book looks not at religion in popular music, or popular music's relation to religion, but popular music as religion. Till succeeds at times, 1000mg Flagyl Alcohol Housewives, but fails at others.
In analyzing Pop Cult, the book seems very academic, and the chapters are more like transcribed lectures than chapters in a greater work. Rupert Till has collected a lot of information here, Flagyl Alcohol Housewives india, but the presentation and interpretation leaves a lot to be desired. Had there been "so-and-so covers this in greater detail in another book" one more time, Pop Cult would have strained its credibility further, Flagyl Alcohol Housewives. Why Till didn't utilize the work done by other more often, rather than having the reader run to another piece of writing is a continual frustration.
Pop Cult is most successful in its chapter, "God Is A DJ," which examines the role electronic dance music culture (EDMC) plays in terms of religion. Till makes wonderful points in that the music is much like that of tribal religions, Flagyl Alcohol Housewives uk, relating the DJ booth as pulpit, and drawing many other connections between facets of world religions and their practices and how they relate to the dance floor. You can tell that this is a topic Till has a lot of affinity towards, and is a subject with which is deeply familiar. Flagyl Alcohol Housewives, Sadly, the rest of the book is not so fully formed as its penultimate chapter. The attempts made by the author to take various focal points of music (sex, Flagyl Alcohol Housewives coupon, drugs, death) and turn them into various cults emerge as less than fully formed objects. Each chapter is a series of statements (rock musicians engage in risky practices, they die, people venerate the dead) that are then summed up at the end, rather than worked upon and expanded on as the chapter progresses. While an interesting idea, 150mg Flagyl Alcohol Housewives, Till fails to definitively convince that (aside from EDMC) music can be a religion.
There's a handy reader that will let you read the book's introduction from publisher Continuum Books.
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It's unsurprising that David Kirby's Little Richard: The Birth of Rock 'n' Roll and Joe Bonomo's Jerry Lee Lewis: Lost & Found Side Effects Of Synthroid, were both released within weeks of each other back in November (and from the same publisher, Continuum). The similarities between the subjects are myriad, and each book references the other's subject with regularity.
For those unable to make the obvious jump, Little Richard and Jerry Lee Lewis were contemporaries, and the boogie-woogie piano was the basis on which each based their rockin' and rollin'. Both were also notable for their outrageous behavior - Little Richard's flamboyancy, Lewis' marrying his cousin, 50mg Side Effects Of Synthroid, Little Richard writing songs with fairly salacious lyrics, Lewis doing the same - but more importantly, it seems that both vacillated between the sacred and the secular.
As Bonomo aptly sums up the whole trouble, "Rock & roll was the devil's music," creating this dichotomy that lay at the heart of Lewis' music (as well as that of Little Richard) - "the twin pulls of Ferriday's Assembly of God and Haney's Big House, 500mg Side Effects Of Synthroid, light and dark, ascended and damned."
For Lewis and Little Richard, there's no removing the sacred from the profane. Little Richard took a lot of his performance from artists like Esquerita, sure - but he also developed his chops performing in the church, and appearing with gospel superstars like "dynamic gospel pioneer Sister Rosetta Tharpe, from whom he learned more than one show-biz trick that he'd use later," as Kirby states in his book, Side Effects Of Synthroid.
This constant pull between the world of rock 'n' roll into which Little Richard and Lewis appeared, and the world of God into which they'd been born resulted in the repeated abandonment of rock for religion, which is unsurprising when viewed in retrospect. At the time, it must've been quite a shock to see someone like Jerry Lee suddenly playing in a Church of God assembly in Memphis, 20mg Side Effects Of Synthroid, where he "earnestly performed 20 hardcore gospel songs in an hour."
Both Kirby and Bonomo do a good job of portraying the struggle of their subjects with religion and booze, sex, and rock 'n' roll. As one reads, the story of the performer is laid out clearly, and one can see how their early church upbringing would later cause trouble when placed alongside the temptations of the flesh. Side Effects Of Synthroid usa, They're not without issues, however. Side Effects Of Synthroid, Kirby's book suffers from self-importance, wherein much of the book is rather meta, being as much about Kirby's relationship to the material being presented and his trials writing about it as it is about Little Richard himself. There's a lot of dross to wade through to get at the heart of the matter. Bonomo's book is a little more straightforward in its narrative, but bases the heart of the book around Lewis' seminal live album, Live at the Star-Club Hamburg.
By doing this, Jerry Lee Lewis: Lost and Found falls prey to what happens with all books that deal with an album: books that deal with the story of an album hit a brick wall when they deal with the album itself, 250mg Side Effects Of Synthroid. The narrative stops dead for what is, essentially, a chapter-long album review, killing any momentum that has been generated up to that point.
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Thomas Conner's recent "Music: Via Chicago" column on Brandon LaBelle Cialis To Buy New Zealand, 's new book, Acoustic Territories, makes it seem like the book is worth a look-see. While I'm more into books that examine the nature of the music being produced, or said music's sociological aspects, Cialis To Buy New Zealand us, rather than the physiological - a la Daniel Levitin's This Is Your Brain On Music or Oliver Sacks' Musicophilia, 150mg Cialis To Buy New Zealand, for instance - I'm still interested in any writings that explore the nature of sound, just not to the extent of the more "story oriented" material.
However, 1000mg Cialis To Buy New Zealand, Conner says of the book: "LaBelle's study is pretty interesting, Cialis To Buy New Zealand ebay, dissecting the purely sonic value and meanings of street noise and music and charting the 'acoustic politics of space.'" For those more interested in the acoustic properties of sound, this seems like it's worth a look. It's out now from Continuum Books, Cialis To Buy New Zealand coupon.
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