From its very opening, C.A. Cooper’s The Snare is not messing about: a crescendo of music plays on a black screen, rising until it cuts out, with a smash cut to a cemetery. We get a couple shots of the graveyard before it cuts again to a rotting bunny, with emphasis on the maggots crawling all over it.
Read the full review at We Are Indie Horror. Published 12/30/16