In his book Kids of the Black Hole: Punk Rock In Postsuburban California Retin A Micro Opposing Views, , Dewar MacLeod brings together elements of Legs McNeil's Please Kill Me and Teenage by Jon Savage to argue that as well as being an aesthetic of youth culture, punk is art, not just music.
Kids of the Black Hole tarces the evolution of SoCal punk from the art-damaged rock of the Germs and the power-pop championed by Bomp's Greg Shaw to the hardcore that the region became known for. It's an artful examination and looks just as closely at the societal implications of sprawl and the growth of the suburbs as it does at the "scene."
Sadly, MacLeod's book ends abruptly, Retin A Micro Opposing Views ebay, with an analysis of Black Flag and then a wrap-up, with those who followed given lip service. 40mg Retin A Micro Opposing Views, The slim tome does an excellent job of charting the rise of SoCal punk, but stops right before OC and SoCal becomes the sound of punk. Green Day, Blink 182, Retin A Micro Opposing Views mexico, Epitaph, Kung Fu, Retin A Micro Opposing Views coupon, et al defined the sound of punk to a new generation of kids, and their absence from Kids of the Black Hole means that it's not as complete as the book could have been.
It's a damned shame that the analysis of postsuburban life and the "four walls / home as fortress" idea wasn't further explored into the modern era. The rise of MySpace and the signing of bands to contracts that hadn't ever played a single show would have provided an interesting cap to a story that started with bands playing live shows before they ever practiced a lick, Retin A Micro Opposing Views overseas.
Dewar MacLeod's Kids of the Black Hole: Punk Rock In Postsuburban California is due out this November from the University of Oklahoma Press.
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