The Granada, Lawrence
Friday, January 16
Something about pairing the twin titans of ska-punk brought out every 30-something in Lawrence Friday night. Also, their kids. Hell, even my kid was there with his roommate. It seemed like the in place to be. And why not, really? While it's a legitimate argument that neither Less Than Jake nor Reel Big Fish have put out a good album in the last decade, the energy and fun of their live shows is undeniable.
It's weird, because I've seen Less Than Jake so many times at this point that I'm never quite certain as to which show I'm remembering. Given that the band's had a pretty steady lineup as of late, with a setlist that's always sure to include "Look What Happened" and "Automatic," it's basically like the ska version of those REO Speedwagon, Boston, or Foreigner shows that played every summer for most of my childhood. It's great that they're still releasing new material, but I basically just want to hear "Riding the Storm Out" or "More Than A Feeling."
But nostalgia aside, everybody's voices are holding up, they don't look wrinkly and sad while jumping around on stage, and the crowd's got enough money to buy merch. I think we all win.
Jesus Christ, Reel Big Fish. The Granada was sweaty and packed by the halfway point of their set. It was a perfect example that, despite the fact that Aaron Barrett is the only original member, the band's managed to remain a fantastic live act. You'd think that the loss of Dan Regan and Scott Klopfenstein would've rendered the band a pale imitation of itself, but Reel Big Fish remains a live act of impressive energy. Hell, they rocked a cover of "Monkey Man" which managed to be of quality, despite being a cover of Amy Winehouse covering the Specials covering Toots & the Maytals. I might've been drunk as shit by the halfway point of their set, but I could've watched them all night.
Authority Zero kicked everything off. They've been around for years, always seeming to glom onto the opening slot for a third-wave ska act making the rounds. They're the amalgamation of every heavy pop-punk band that ever had a ska song (see also: Wank, Schleprock), and while energetic, completely failed to grab my interest. Authority Zero gives their all on stage, for sure, with a frontman who's constantly in motion, but they're that thing that kills me: talented, but utterly unremarkable. Not a single song turned me off, but neither was there anything which had me writing down lyrics to track it down afterward.
Fun fucking times, people. Wallowing in nostalgia might be sad at times, but sometimes it can be a glorious celebration of shit that's fun and exciting. It's always a pleasant thing to discover that sometimes, you can revisit your youth, and thank god -- it's actually something worth going back to.
Argh. Of course the link for this would've shown up just before work today. It's going to be eating me up that all of you are watching this right fricking now while I'm in scads of meetings. But I shall cope, and persevere, and all of you ska fans out there should watch an enjoy the two-years-in-the-making documentary, Brooklyn Rocksteady: The Roots, The Scene & The Culture.
You can order DVDs and t-shirts, as well as get it as a name-your-price download.
Dan Potthast is perhaps best known as the frontman for St. Louis' finest circus-ska purveyors, MU330. In the years since that band took an unofficial hiatus, he's performed solo and with the Stitch Up. Most recently, Potthast performed and recorded with the more traditional ska outfit Dan P. & the Bricks, which features members of Slow Gherkin. He's getting ready to go on a tour with Reel Big Fish and Pilfers which starts January 5 at the House of Blues Downtown Disney in Anaheim, California. In advance of his six weeks on the road, Potthast was cool enough to answer some questions via e-mail about touring as a solo act, and the inherent differences between that and his usual band gigs.
Why tour solo, and not with Dan P. & the Bricks?
There's a number of reasons. I like the freedom of playing whatever song I want on any given night at any given moment. I can change the set list mid-set ... or even mid-song if I want, and nobody in the band will give me funny looks or be bummed that I dropped a certain song. I can write a song 10 minutes before the set and play it that night if I'd like. For me, artistically it's really freeing to be on tour solo. I switch over to a mode of being hyper awake and tuned in. It's just healthy for me as a person. It's tough to get on stage in front of a packed theater by yourself and hold the audience's attention. I like that challenge.
It's also easier to confirm a tour with yourself than it is to confirm a tour with a band full of busy people. The Bricks are very busy people, with full time jobs and babies and a million other things going on, so it's really impossible for us to do shows outside of California.
The final reason is that it's cheaper to tour solo. I can tour in a smaller vehicle and spend less on gas. It's easier to stay at people's houses on tour with one person, and you don't have to fight anyone for the couch. The one way split is the big one though. When I sell a T-shirt, and there's a $5 profit, in a 10 piece band like the Bricks, each member makes 50 cents, as opposed to solo, where I would make $5. Five bucks will still get you a gallon of gas. (In the U.S. anyway) Fifty cents will barely get you around the block.
Does it allow for a wider set list?
Totally. I can play solo songs, MU330 songs, Stitch Up songs, or Dan P. and the Bricks tunes and don't need to worry about if the band knows it at all.
Will you be doing anything with Pilfers or Reel Big Fish, or is it just you up there with an acoustic guitar?
It will be me up there with an acoustic guitar. As far as collaborating, we will see. No plans yet, but often those sorts of things happen naturally on tour.
Your songs have always walked the line between the humorous ("Streetlights," and the pointedly observant ("KKK Highway," "Baby Rats," et al). What can folks expect to hear on this tour?
Most likely a mix. I have a handful of humorous songs that I always seem to lean on when I play big theater shows. In the big places, I feel like those grab people's attention and draw them in. The strategy is to get people listening with a funny one, and then play a well written song with smart lyrics that is not funny at all. The danger in playing too many jokey songs is that people start to think of me as the Adam Sandler guy. This can be confusing to people if they hear me play funny songs and they buy the record and it's not a Tenacious D like experience at all. In the long run though, I think people are going to be more psyched about an album with some depth that they can listen to repeatedly, which is what I'm shooting for.
Are you taking requests?
Yes. Always. And, as the all-powerful emperor of my solo set, I have total and complete veto power.
Have you done an acoustic tour like this before -- where's it's you alone on stage in a theater? I know some of your solo shows have been rather more intimate.
Yes. I've toured a lot of big theaters solo. I did the Plea for Peace tour, and lots of touring with Streetlight Manifesto all over the U.S., Canada, Australia, Europe, and Japan.
How do you as a musician get an audience involved and interested when they might not be there to see you? Is it more difficult solo than as a band?
When you are playing solo, your energy just has to be WAY up. When you're playing with a band, there are other band members to feed off of, and you can lean on them. Solo, you just need to be mentally fired up.
One thing that people don't usually think about though, is that when I play solo in a big place, I have the element of surprise working for me. When a solo opening guy walks out, the crowd in general is expecting some whining coffee shop bozo that is going to put people to sleep. If you come out with some energy and make people laugh a bit, they are going to be psyched.
Aside from the performance end of things, the nuts and bolts part of touring is definitely more difficult, and more physically demanding. It's not easy driving 8-10 hours, then sitting back by your t-shirts by yourself all night, every night. When I'm touring solo, it's work time! There's no hanging out backstage drinking beers or partying after the show. I'm the designated driver every night.
Speaking of bands, has MU330 gone by the wayside? I know there've been the occasional reunion shows, but I'm assuming that it won't be a recording or touring entity again.
Never say never! I'm going to spend a few weeks in St. Louis over the holidays, and there's talk of digging into an unfinished MU330 album. No promises though! We've been "working" on this album now for over 12 years! Any MU330 projects are taken at a leisurely pace and are done purely for our own amusement. I'd like to see us play some more shows in 2013, as it will be our 25th anniversary of us being a band.
How did MU330 slow down?
We toured for 12 solid years with barely a break. I think we got a little burned out, and things kind of planed out for us. When it was apparent that the band wasn't growing, we started to take a couple weeks off here, and a couple weeks off there, until our lives pivoted to other things. Ted started playing more music with his wife in the band Bagheera, and he became a scientist, and I started playing more solo shows in our time off.
There was never a "farewell" show or tour that I can remember. Was the reason for not doing that a way of keeping the group alive?
There was never a farewell tour because the band never broke up. We all love each other and forever share a bond that is stronger than blood. We never call our shows "reunion shows" because we play shows every year. MU330 will break up when we are dead.
Mike Park floated the idea of pressing all the MU330 albums on vinyl LP. What do you think of that idea?
I love the idea. I really hope it happens. I'm excited to finally release my two favorite MU330 albums, Ultra Panic and Winter Wonderland on vinyl.
Anything you'd like to add that I didn't ask?
I'm halfway through recording a new solo album, and this coming February, I'll be recording a totally new rock n' roll project with Rick Johnson from Mustard Plug ... and that's about it! Thanks!
Hospital Colchicine Injection, And here we have the precise moment where digital downloads reveal their fatal flaw to me. Big D and the Kids Table release Built Up From Nothing: The D-Sides and its attendant Strictly Dub disc on October 2, but SideOne Dummy sent me an advance download for review.
While I can review the music easily, putting the details into perspective is a little difficult, as there's no actual information beyond track titles, Hospital Colchicine Injection australia.
Here's the press release:
"This new release is a double disc collection of unreleased songs, "D-sides", rarities and outtakes that span the bands history, from 1996 to 2012. Hospital Colchicine Injection coupon, The first disc is appropriately titled The D-Sides and includes the bands studio outtakes and unreleased tracks along with interviews that introduce the story behind each song. Disc #2 is called Strictly Dub and is a collection of dub versions of classic Big D tracks."
Here's the problem: those interview segments put the bands' music into perspective, but by no means do any of the stories directly address the songs which follow, Hospital Colchicine Injection. Hell, I have no idea where the interview segments even originate. From a radio show. from a phone call to the label. I don't fucking know, Hospital Colchicine Injection ebay.
The tracks which have appeared on other albums -- "LAX" is tagged as the "original recording" of the How It GoesHospital Colchicine Injection, cut, but I'm hard-pressed to figure out what differentiates it from the album cut. The same thing goes for "Digging in Your Nails," originally from their Beijing to Boston split with Brain Failure.
I'm sure the liner notes make this all quite clear, but without them, Hospital Colchicine Injection india, this is just a mish-mash of tracks downloaded from the internet, and might as well have been put together by some fan site. I've pulled things from Mediafire with more notation than this.
The dub tracks are nice. A few cuts are a little thin for my tastes -- "Baby Don't Cry" and the two rehearsal cuts, "Come Along" and "These Dubbed Streets" don't have that low-end necessary for a really great dub track, Hospital Colchicine Injection craiglist, but the various iterations of "Strictly Rude" will have you nodding your head pretty quickly. Nothing that'll blow your mind like an early King Tubby track or anything like that, but if you're looking to chill after a night out, it's well worth grabbing.
Flagyl And Food, If someone wants to make your friendly neighborhood record reviewer a happy person, you'll figure out a way to get this into my hands. Seems that Pist 'n' Broke has a new picture disc LP available from Germany's Randale Records. The long-dormant group reunited a couple years ago, 200mg Flagyl And Food, but this is the first sign of any recordings from them in over a decade.
Entitled 20 Years Strong, it's essentially a revamped version of the quite out-of-print compilation The Last Call 1992 To 1996, which came out on Vulture Rock in the late '90s, Flagyl And Food overseas. Additionally, it contains four unreleased songs, 20mg Flagyl And Food, making this the first picture disc I actually want. Seriously -- I usually hate these things, but this is the sort of record that seems to pop up, sell right the fuck out, and then you spend five years tracking down a copy, Flagyl And Food.
Limited to 500 copies, the oi/ska group ought to have copies at the 2000 Tons of TNT festival in Hartford over Labor Day weekend. It's not yet in the Randale shop, 40mg Flagyl And Food, but keep your eyes glued. If you ever loved the Skoidats or Inspecter 7, Flagyl And Food coupon, this is for you.
Tracklisting is after the jump.
Pist 'n' Broke
Skinheads For Life
Dortmunder Union Boys
No Hope in Hell
Twenty to One
Ireland Side B:
Punch the clock
Lumigan Side Affects, Yesterday, after posting news regarding Underground Communique's returning Ska is Dead single series, they posted some more solid details, as well as some hints as to what you can expect.
Like the last series, there will be three 7-inches on black vinyl and three 7-inches on color vinyl (last year, it was white), and they'll ship in three monthly installments of two 7-inches each, starting in July. Pre-orders start at 2:00 p.m, 50mg Lumigan Side Affects. Eastern Standard Time on Friday, May 25 via the Ska Is Dead store.
And now, your hints as to who will be in this series, with my guesses after:
that STUBBORN guy
more international bands
solo stuff from several members of the Slackers
a band who made a SHIT-TON of money via Kickstarter.
two of the bands from the UnderComm/Asbestos Kickstarter series
Reunion bands: Could be Madness, English Beat, or the Specials, but that's pretty unlikely, Lumigan Side Affects. Lumigan Side Affects coupon, Maybe Suicide Machines, since Asbestos released that double LP last year. Stubborn guy: King Django, who runs Stubborn Records and fronts the Stubborn All-Stars.
International bands: Could be any band currently on the scene. El Bosso & Die Ping Pongs, El Gran Miercoles, Lumigan Side Affects japan, Rubén López & The Diatones ... Lumigan Side Affects, who knows. Slackers solo members: Agent Jay and Dave Hillyard, most likely. Band that made a shit-ton on Kickstarter: Five Iron Frenzy. Duh -- $207, Lumigan Side Affects us, 980 pledged for a $30,000 goal. Goal met in less than an hour (to say nothing of $80,000 in one day). Two UnderCom/Asbestos Kickstarter bands: Pietasters, Pilfers, Edna's Goldfish, Lumigan Side Affects india, and/or Spring Heeled Jack.
Courtesy the Underground Communique Facebook page comes the news that the Ska Is DeadProzac Rem Sleep, single series will have a second installment. All they'll say is that it's "coming soon" -- no bands or other details have been announced, 30mg Prozac Rem Sleep. Prozac Rem Sleep overseas, The first series featured exclusive tracks from the likes of Mustard Plug, Reel Big Fish, Prozac Rem Sleep usa, 100mg Prozac Rem Sleep, Big D & the Kids Table, and the Sonic Boom Six, Prozac Rem Sleep canada, amongst many other notables in the current ska scene. It'll be interesting to see who they got for the next batch.
Tomas Kalnoky is evidently now going by the name Toh KayDiflucan Teeth Stain, (clever) for his debut solo release, Streetlight Dreams, from Pentimento Music Company. It seems like Kalnoky's non-Streetlight Manifesto output is entirely reworked material. His split with Mu330's Dan Potthast had him covering Potthast's solo work and that of Mu330, but as that was the intent of the project (Potthast covered Streelight Manifesto songs), 250mg Diflucan Teeth Stain, we'll give him a pass. However, 10mg Diflucan Teeth Stain, the Bandits of the Acoustic Revolution's A Call to Arms featured Catch 22's "Dear Sergio," with only three original songs.
However, the 99 Songs of Revolution project he recently started is dedicated wholly "on playing music that other musicians have written, Diflucan Teeth Stain coupon," meaning we've got quite a few cover songs to hear before we get something "new." Add into this the fact that Streetlight Dreams is going to be "a stripped down version of the songs you know," and it makes me wonder if Kalnoky's just turning into the ska-punk version of Kepi Ghoulie. 30mg Diflucan Teeth Stain, In other words, the both of them have recorded a slew of songs I love, but keep recording and re-recording them in different styles and formats, to the point where I just start to wonder if I'll ever hear anything new again, 40mg Diflucan Teeth Stain.
That being said, the pre-order for Streetlight Dreams is up now at the RISC store, as well as that for a single that features the Somewhere In the Between track "We Will Fall Together" and a cover of Bad Religion's "Hooray For Me." The album is due out November 22.
When I first started reading Dave Thompson's Acomplia Rimonabant No Presecription, Wheels Out of Gear: 2-Tone, The Specials and a World In Flame, I was terribly afraid that Thompson would merely be offering a re-tread of George Martin's The Two Tone Story. While that 1997 book is long out-of-print, it still stands as the defining history of the early '80s ska label that made such an impact.
Nothing could be further from the case. While Martin's book focused exclusively on the story of the label, Thompson takes a wider scope, using the tale of the storied 2-Tone label as the framework for a history of the era immediately preceding and followihng the British punk explosion. While the Sex Pistols and the Clash make an appearance, Acomplia Rimonabant No Presecription india, Wheels Out of Gear is the story of those who followed in their wake, taking the ethos of punk and applying it to a disparate sense of styles.
The political aspects play a stronger role in this tale of 2-Tone and their musical contemporaries than other histories, Acomplia Rimonabant No Presecription. Thompson isn't merely content to analyze the lyrics of the acts involved and how they relate to the rampant unemployment and attendant racial conflict. The author also traces how the bands' fans would coalesce and cause issues. It's an interwoven story of skins, bovver boys, Acomplia Rimonabant No Presecription japan, racism, anti-racism, and music.
Does Thompson take a side. Acomplia Rimonabant No Presecription, Yes. He can certainly be faulted for falling a little too heavily on the side of those who fought the police, and doesn't provide much of a counterpoint to his belief that anti-police actions constituted "battles" in a "war." While by no means would I ever suggest that outrage is an inappropriate response to the police beating of an innocent man, one might think that attacking those same officers with petrol bombs and bricks could constitute an overly-violent reaction.
However, 10mg Acomplia Rimonabant No Presecription, while there's a certain amount of pointed proselytizing in Thompson's book, Wheels Out of Gear is an excellent history that tells the tale of not only the Specials and their attendant 2-Tone label-mates, but those acts around them like the Ruts, Sham 69, Cockney Rejects, 4-Skins, Acomplia Rimonabant No Presecription craiglist, et al, who also carried the musical torch which shone a light on the injustices imparted on Britain's lower classes. Considering the politically-charged nature of much of the music released at the time - songs like "Man At C&A," "Babylon's Burning, and "Ku Klux Klan" - Thompson can't be faulted overmuch with falling to one side a bit, especially considering the book is an astonishingly addictive read.
Honestly, Wheels Out of Gear is the sort of book that ska and punk fans - as well as anyone with any desire in knowing more about the response to the rise of Thatcherism - will find spellbinding, Acomplia Rimonabant No Presecription mexico. Thompson ably jumps from band to band, using the context of political and historical events to imbue all the musical aspects of the book with deeper meaning.