Blondie and Garbage turned the Kauffman Center into a rock club last night

Blondie and Garbage turned the Kauffman Center into a rock club last night

Blondie & Garbage: The Rage & Rapture Tour With John Doe and Exene Cervenka The Kauffman Center for the Performing Arts Tuesday, July 18 The show at the K...

Source: www.pitch.com/music/concert-reviews/blog/20868052/blondie-and-garbage-turned-the-kauffman-center-into-a-rock-club-last-night

Review of The Grisly Hand’s self-titled at Modern Vinyl

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A double album can be an odd duck, but Kansas City’s The Grisly Hand may have unlocked its secrets. On the surface, the idea of recording 19 songs, putting them out as two separate compact discs (a year apart), and then re-sequencing them as a double vinyl release (now self-titled) sounds overly-complicated, and maybe it is. However, while the two albums which comprise The Grisly Hand’s double LP — last year’s Flesh & Gold, and this year’s Hearts & Stars — are both excellent records on their own, it’s when the two are combined that this music really takes shape.
Read the full review at Modern Vinyl. Published 1/23/17

Review of Eve 6’s self-titled at Modern Vinyl

eve 6 cover Eve 6’s self-titled debut is nearly 20 years old, and I only just listened to it all the way through. It’s weird when an album as omnipresent as this finally makes its way to vinyl, because it’s not like you can’t easily snag a copy of the compact disc in any record store dollar bin. Despite this being a platinum record, it’s the sort of thing which dominated the ‘90s alt-rock scene: an album with a big, inescapable single that led to a sophomore album which was more of the same. Read the full review at Modern Vinyl. Published 1/19/17

Review of Exterminators’ ‘Product of America’ at Modern Vinyl

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A band returning to record material years after the fact isn’t unheard of: the Sloths put out an album on Burger, 50 years after recording their only single, “Makin’ Love,” in 1965, and it’s absolutely fantastic. But for a band to return 40 years later to the material and seemingly be angrier than the majority of most young punks? It’s positively astonishing.
Read the full review at Modern Vinyl. Published 1/23/17

Review of ‘Bornless Ones’ at We Are Indie Horror

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Produced by Black Drone Media and distributed by Uncork’d Entertainment, Bornless Ones is a cabin in the woods film, strongly influenced by The Evil Dead. Looking at the plot outline for Alexander Babaev’s film, viewers familiar with the genre will know exactly what they’re in for when viewing the movie.
Read the full review at We Are Indie Horror. Published 1/25/17

Black Friday Record Store Day roundups

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KC's record shops were a busy delight Friday morning and afternoon. The Black Friday installment of Record Store Day might not inspire the sort of fervent capitalistic enthusiasm of its better-known April counterpart, but this particular cold gray morning seemed to keep people at home drinking coffee a little longer than usual.
Read a round-up of the goings-on at various KC record shops at the Pitch. Published 11/28/16 Music_GrislyHandCREDITPaulAndrews2016.583481b20a62e
With Black Friday just around the corner, we know you’ll find yourself beginning to seek out cool and interesting gifts for friends and family. Rather than buying another iTunes gift card for that stocking stuffer, we suggest you head out to one of the many excellent local record shops to buy an actual physical release from a local act. Whether it’s a benefit album, pop, metal, or lo-fi punk, there should be something for all tastes in this roundup of the latest local releases.
Read a round-up of the best local releases to snag on Black Friday, also at the Pitch. Published 11/22/16

LKxRR showcase review in the Pitch

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Last night's LKxRR show at the Granada, organized by Treet Ward of Lawrence's Young Bull, ably demonstrated that a solid bill can pull a hundred people out on a holiday weekend. The show was stacked top-to-bottom with the finest heavy music the Lawrence and Kansas City areas have to offer, and there was no finer way to starting kicking 2016 out the door than with a big, metal boot.
Read the full review and see more photos at the Pitch. Published 12/31/16

John Williams’ “Duel of the Fates” video at Cinepunx

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The Phantom Menace was released the day I finished my sophomore year of college. Thanks to some amazing friends who sat in line for weeks, I was able to snag a ticket to the midnight screening in the biggest theater in Kansas City. I moved all of my stuff out of the dorms, drove it home, took it into my parents’ house, and then drove to sit in line for seven hours, in order to secure a seat. It’s weird to think about the fact that despite having watched all of the movies with my friends (including a Labor Day marathon a year or two prior, wherein we watched all the Special Editions when they were released on VHS), in addition to having friends from college get my ticket, I watched the movie essentially by myself. A sold-out theater, yes, but I sat by myself.
Read the From the Stereo to Your Screen column on John Williams and The Phantom Menace at Cinepunx. Published 11/18/16