Katy Guillen & the Girls splitting up, playing farewell KC shows later this month

Katy Guillen & the Girls splitting up, playing farewell KC shows later this month

Katy Guillen & the Girls splitting up, playing farewell KC shows later this month

Don't ask Katy Guillen why her band, Katy Guillen and the Girls, is playing its final shows this month. Guillen, the Girls' singer-guitarist, along with b...

Source: www.thepitchkc.com/arts-entertainment/music/qas/blog/21036086/katy-guillen-the-girls-splitting-up-playing-their-farewell-kc-shows-later-this-month

The Westport Saloon aims to bring roots music back to Westport

westport saloon 01Kansas City's The Westport Saloon (located in the former Dark Horse Tavern space at 4112 Pennsylvania) has only been open a scant few months, but it has a focus in mind: to spotlight each and every night of the week the incredible roots music that was crossing owner Travis Field's path. "When we opened our doors in early September, it was my intention to offer American roots music in a high traffic area in Westport," said Fields in an e-mail interview. "With our location, we have the opportunity to showcase these acts and this genre to people who are often coming to Westport as a destination, and then stumbling across original music that they wouldn’t have known to go out of their way for." The former general manager of Ernie Biggs Dueling Piano Bar had, over the past several years, begun booking roots acts on the Piano Bar's off nights, as well as for the bar's parking lot parties during events like St. Patricks Day. However, despite a strong focus and plan, Field wasn't prepared for the work booking live music every night of the week entailed. "While we had great local and regional acts, I quickly learned two things: It is hard to keep a room filled for an entire evening with just one or two performers a night, and keeping a room booked is a full-time job." westport saloonShortly after Jody Hendrix (of Them Damned Young Livers) hosted a record release party for Twenty Thousand Strongmen, the Saloon had a series of rough weekends, so Fields approached Hendrix and came up with a solid plan to benefit both him and the Saloon, as well as the local and regional acts that come through the bar. The last time the Westport area had a venue solely devoted to roots music was the Grand Emporium on Main, and that venerable establishment has been gone for nearly a decade. "I saw the benefit of not only having someone who knows what they are doing booking acts, but also having multiple bands fill out a night," says Fields. "Jody and I share the same vision and passion for music, and focusing on our own specific skill sets, he in booking and promoting, and myself in service and hospitality, I am very excited for what lies ahead for the Westport Saloon." "I came on board with game plan of mimicking the DIY punk show format, while focusing on bluegrass, blues, rockabilly, country, Americana and the rest of the music that falls underneath the general hillbilly sound umbrella," Hendrix explains. "I mean -- how many punk shows have you gone to that were empty? The punk scene fills their room with multiple band bills. If anyone has ever been to one of my shows, they know that when there are 3 or more bands on a bill (I pulled off 20-plus at Middle of the Map), you always have a full room." The trick is to make some money while nurturing a local community of artists. Hendrix wants the bands to be compensated fairly. westport saloon 02"Our guarantees are fair, based on a bands ability to draw. We don't pay bands out of the door cover -- we pay the sound guy out of our cut, not the bands cut. We offer fair pay for short (45 to 90 minute) sets." Of course, this hasn't been without its difficulties, with bands wanting to be the only act on the bill, taking home the entire door take, but that's not how Hendrix sees the Westport Saloon. His view of the club is as more of an incubator for local talent and, according to Hendrix, it's a process that seems to be working. "We're working with folks who want to build a scene, have some drinks, make a little cash, and ultimately nurture what's naturally happening in our music community. The amount of quality bands that are coming out of the woodwork is astounding, and they only add to the deep-rooted circle of musicians that I've become acquainted with over the past ten years." For more information of the Westport Saloon and upcoming shows, like them on Facebook.

Becky Lee & Drunkfoot, “Hello Black Halo” LP

cover-becky-lee-and-drunkfootIf the Dead Weather is when Jack White backs the Kills, then Becky Lee And Drunkfoot is the equivalent of Alison Mosshart fronting the White Stripes. Becky Lee and Drunkfoot is Becky Lee and her one-woman blues band. It's a little dry and basic, although Becky Le certainly has a pleasant enough voice. While I'm not suggesting that a female-fronted act is less intriguing when the frontwoman isn't sultry as a generality, I will suggest that if Ms. Lee rocked something other than country church vocals, Hello Black Halo would certainly be more entertaining. It may simply be that when you're playing a drum kit and guitar simultaneously, some form of emoting has to go out the window. I just want to hear this woman wail, though. The songs are paced so metronomically as to induce a sort of hypnosis, and her voice is similar enough to Cowboy Junkies' Margo Timmins that I keep expecting a Velvet Underground cover. It's moody, but only one -- I was expecting anger, rage, longing, contemplative per-violence silence ... not all quietly plodding. When she says, "When you see me coming, step aside" in "Man Like You," I don't believe it. I believe she thinks so, but Becky Lee doesn't at any point convince me that she's a dangerous woman. When you hear John Lee Hooker do "Bad Like Jesse James," it's a quiet, slow-paced number -- if not outright sparse -- but Hooker's phrasing gives you the inkling that he might actually shoot you down. Backy Lee's a talented guitar player and capable drummer, but until there's some fire in her belly and menace in her voice, this won't be anything more than a vocal exercise. I hope she sticks with this, and Voodoo Rhythm's a great label for her, but for the moment, this isn't worth rushing out to get (although, it's available through the Voodoo Rhythm shop). MP3: Becky Lee & Drunkfoot, "The Tracks"

Andre Williams, “Life” LP

cover-andre-williams-life90% of Andre Williams' latest, Life, is stone-cold cool. Alive Records put the man with with a team of musicians who know how to rock that back-alley juke joint vibe. This is some after-hours shit. "Stuck In the Middle" and "Heels" groove and sway. Smooth. Not quite silky ... more like a black cup of coffee, the way it warms with its heat and bites just enough at the end to let you know it's working -- not unlike a stiff shot of rye. Yeah, I know Williams is 100% stone cold sober on Life, but these are the tales of a man who knows what it's like to be blisteringly blasted past all sense. His voice shows its age, but the band knows how to work alongside it, and age brings knowledge and experience in this case, not wear and tear. Because of that age, though, the album has a misstep when Williams revisits the song he made famous for the Five Du-Tones (and, later, Ray Charles), "Shake A Tail Feather." Williams' voice simply isn't up to the challenge of trying to do upbeat material. Besides, that's never been his bread and butter. The slowed-down, grindhouse speak-singing is what the man's always done best. "The Greasy Chicken" and "Jail Bait" weren't soul shouters. Andre Williams' best work has always sounded like the lascivious come-ons of a man on the corner, convincing you that what's in the alley, behind the curtain, or up in that room is worth the risk. You might get shivved, cold-cocked, or otherwise rolled, but them's the chances you take when you kowtow to the smooth patter of the man in the sharkskin suit. It's also disconcerting to revisit an artist's past work when they're this age. Johnny Cash, et al, worked best in their latter years when attacking material with which they weren't familiar. Why throw an oldie into the mix when the other nine new compositions work so well? It just makes it seem like some sad attempt to attract fans based on the successes of others, rather than building on one's own reputation.

Colchicine Drug Interaction

cover-hank-haint Colchicine Drug Interaction, I'm usually a little skittish about one-man band blues stuff, especially on Voodoo Rhythm. Sometimes you get psychotic weirdness that's wonderful, a la the Reverend Beat Man. Often, you get off-key, 100mg Colchicine Drug Interaction, white boy blues like Delaney Davidson. It's this lack of assurance that gives me pause every time I push play on anything from the label carrying the "one-man" tag.

Hank Haint's debut LP, 50mg Colchicine Drug Interaction, Blackout, is exactly what I want in a one-man blues band. I want it dirty, I want it scuzzy, I want it stomping, and I'd like it to be the sort of thing I'd sing along to when I was a little drunk, Colchicine Drug Interaction. Haint succeeds on all levels.

The two covers on this LP serve to provide excellent signposts as to the direction of Hank Haint. The first is a take on GG Allin's "Don't Talk to Me" that easily improves upon the original's rather blase sound, Colchicine Drug Interaction india. This is a pissed-off, irritated man singing here, and you'd do well to leave him alone. Colchicine Drug Interaction, The second is a streamlined version of "Thunderbird ESQ," originally by the Gories. Colchicine Drug Interaction overseas, It amps it up a little, making it less blues and more of a rocker.

And that's the sound of Hank Haint -- bluesy, but rocking, with a solid punk attitude and the pissed-off tone of a man who's been wronged one too many times, Colchicine Drug Interaction canada. Voodoo Rhythm bills themselves as putting out "records to ruin any party," but this is the perfect end-of-the-night record. Everybody's drunk and a little mean, and the people who stick around to listen to Blackout after all the squares clear out are the folks you want around until dawn.

.

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Skin Care Products With Retin A

cover-pussywarmersThe Pussywarmers
The Chronicles of the Pussywarmers
(Voodoo Rythm)
Skin Care Products With Retin A, There's a certain tendency to lump together all the bands of that late '20s / early '30s stripe into one big "retro" camp. Be it the Squirrel Nut Zippers, the World/Inferno Friendship Society, or - in this case - the Pussywarmers - the bands take the doo-wacka-doo of hokum acts, 50mg Skin Care Products With Retin A, the hot jazz sound of Parisian combos, and elements of early folk blues, Skin Care Products With Retin A paypal, and infuse them with a bit of punk flair.

However, the Pussywarmers (despite what their name might imply in terms of sexual content) are creepy as fuck. The end of "I Had A Dream" ends with footsteps and whistling that I swear to God comes from Fritz Lang's M - and if it's not, 750mg Skin Care Products With Retin A, it certainly uses that for its inspiration. And what makes the whole of the album even more disturbing is that something like the funereal dirge of "With Thee" is preceded by the oompah of "La Marcia Dell'amor Negato, Skin Care Products With Retin A canada, " which is a beer hall polka.

The Chronicles of the Pussywarmers is certainly an album that keeps you on your toes, and in your cups, as well, Skin Care Products With Retin A mexico. Be you drinking for joy, or drowning your sorrows, this record will have you imbibing well past your limit.

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Can Prozac Interact With Acomplia

cover-juke-joint-pimps-boogie-chruchThe Juke Joint Pimps
Boogie the Church Down
(Voodoo Rhythm)
Can Prozac Interact With Acomplia, What you've got hear is a split album by one band. On the a-side, you've got the Juke Joint Pimps doing their usual two-man blues thing. The duo sounds an awful lot like the Black Keys, Can Prozac Interact With Acomplia uk, right down to frontman Mighty Mike sounding so much like Dan Auerbach, it's scary. "Delta Trip" is vintage Keys, and could've been billed as a lost track off The Big Come Up without anyone being the wiser.

Normally, 20mg Can Prozac Interact With Acomplia, I hate bands that sound exactly like other bands, but considering the way the Black Keys have been drifting away from the raw duo they once were, and sounding more like a straight-up blues rock band, 100mg Can Prozac Interact With Acomplia, I'll take the Juke Joint Pimps as a good thing (even considering the pile of ick that is "Boogie 65," a completely unnecessary rewrite of John Lee Hooker's "Boogie Chillun").

The b-side to Boogie the Church Down is done by the Gospel Pimps, the alter-egos of Mighty Mike and T-Man, Can Prozac Interact With Acomplia. It doesn't work quite as well. One would've thought they might've cleaned up the production a little and gotten a little more upbeat in terms of tempo to get the whole hallelujah and hosanna thing up front a bit. However, Can Prozac Interact With Acomplia usa, the tunes are still pretty good, and get better and better as they go on, with the last track, 1000mg Can Prozac Interact With Acomplia, "The Pimps Don't Like It," really getting the gospel blues thing down perfectly. It rocks like a Delta bluesman backing the Staple Singers, and manages to be the album's highlight.

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Tetracycline Antibiotic

Tetracycline Antibiotic, It's that time again... when I have too many cds to write up fully. You should know the drill by now. Short review for each cd, with links to songs where possible. Enjoy.

Blowfly – “Blowfly’s Punk Rock Party” (Alternative Tentacles)
Blowfly is the filthiest thing ever, Tetracycline Antibiotic. The alter ego of ‘70s songwriter Clarence Reid, Blowfly takes popular tunes and reworks them into sexually explicit versions, much like a porno freak Weird Al. This album is all punk songs. 20mg Tetracycline Antibiotic, The Clash’s “Should I Stay Or Should I Go?” becomes “Should I Lay This Big Fat Ho?”, Black Flag’s “TV Party” becomes “VD Party”, etc. If you know the originals, then funny overcomes the disturbing. Tetracycline Antibiotic, The last six songs are slightly cleaned up for airplay, and they're still really wrong.
Download "Punk Rock Party megamix"

The Bronx – “The Bronx (II)” (Island Records)
The Bronx return with their second full-length, and major label debut. It sounds like they’ve been listening to a lot of Foo Fighters and AC/DC. The screamy angriness of their first album is pretty much gone here, and it makes for a lesser album. It’s good, Tetracycline Antibiotic india, but not awesome, which is sad. A couple of tracks make for a rocking experience, but for the most part, this album is completely disposable, Tetracycline Antibiotic.
Download "History's Stranglers"

Various Artists – “Ghouls Gone Wild” (Poptown Records)
This right here is a compilation of tracks dealing with subjects such as the undead (both zombies and vampires), as well random beasties, to say nothing of sadomasochism. Most of the artists are either straight-up rock or rockabilly acts, although there are a couple electronic Ministry-type bands, too. Fun for late nights, Tetracycline Antibiotic australia, and it’ll aid your parties immensely come Halloween.

Electric Six – “Switzerland” (Metropolis Records)
More of the same from these guys. Tetracycline Antibiotic, As we all know, Electric Six want to be Queen so fucking bad, they covered “Radio Ga Ga” on their last record. Suffice it to say, there are not Freddie Mercury and company. And unfortunately, on this album, we don’t even get a “Gay Bar” or “Danger. High Voltage!” to liven stuff up. There are a couple disco-rock tracks that rise above the crap, but they’re still somewhat weak.

Roy & the Devil’s Motorcycle – “Because of Women” (Voodoo Rhythm)
This could be Social Distortion, only with more fuzz-tone in the guitars, at least on the vocal tracks, Tetracycline Antibiotic. The more instrumental stuff sounds pretty Ry Cooder-ish, 30mg Tetracycline Antibiotic. The record’s got a sleepy sound to it, that’s pretty damn good for lazy afternoons. The covers (4 out of 9 tracks) are the better stuff here, even though they tend to lean on a Black Keys knock-off sound.
Download "Dark Sunday Evening"

The Come ‘n’ Go – “2” (Voodoo Rhythm)
Dirty, nasty garage rock that sounds like early JSBX or Oblivians. Conveniently, they even cover the Oblivians’ “There’s No Butter For My Bread.” This is blues-rock-garage that’ll wake any listener out of a funk and move them to get a little shake in their hips. Granted, 100mg Tetracycline Antibiotic, they’re from Switzerland, and you can understand maybe one word in five of what they’re saying, but the lack of coherency just makes you concentrate more on the rock.
Download "Manual Information".

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Cheap .025 Mg Synthroid

Cheap .025 Mg Synthroid, After I got up this morning and was heartily annoyed by the ringing doorbell and the problems it brought (if you must know the details, it's all here), I opened up my e-mail to find this lovely missive:

"William Elliott Whitmore will be playing several songs tomorrow morning, that's Tuesday August 29th, at 10:30 AM at Love Garden. Love Garden will provide the coffee, you provide the coffee mugs.

xoxo
Mickey Roy, Jack, 1000mg Cheap .025 Mg Synthroid, Sam & Ernie."

Well, since I had opted out of seeing him at the Jackpot the night before, I decided to make the most of my day free from school and work and try to start my day off again, this time on the right foot.

It was a wonderful way to spend a morning. There was plenty of coffee, 30mg Cheap .025 Mg Synthroid, and two plates of donuts, courtesy of Love Garden and Mr. Whitmore was wandering around chatting with everyone who'd made it up at that early hour after seeing him play the night before, Cheap .025 Mg Synthroid.

The show got started around 11 or so, and everyone tapped their feet and drank their coffee while he ran through around five or six tunes, Cheap .025 Mg Synthroid usa, to the delight of everyone. I felt like a serious idiot for having skipped the show the night before, despite being right across the street when it was going on. But sleep took precedence over live music, as it does from time to time. I did get to see him, Cheap .025 Mg Synthroid craiglist, tho', and in a much cooler setting than a noisy bar.

As he's on tour now, and you likely won't have the second chance I did, 200mg Cheap .025 Mg Synthroid, do go check him out. It's one man with guitar and banjo, singing songs in a voice that's far older and wiser than he. Down-home, bluesy stuff that I'd highly recommend for fans of the Black Keys or Tom Waits.

"The Chariot"

See photos from the Love Garden performance over at Rock Star Photography..

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